Painting (Painting)

Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility. His portfolio is continually morphing between mediums and subjects, tackling issues such as intimacy, sex, the sacred and the profane while linking ancestral culture with the contradictions found in today’s world. These sketches of tumultuous human drama are infused with elements of irony and satire to reveal Zinkpè’s most disturbing and arresting constructs of the imagination.

Installation (Installation)

A woman pronounces parts of sentences. Via rigorous editing, the artist creates anticipation with the silences, rhythm by the repetitions, temporal ellipses with music. The recording is diffused by a loud speaker placed on a plinth which gives the whole an anthropomorphic status which reminds one of Box with the sound of its own making by Robert Morris.